Critical Reading Required Book Club
Welcome to Critical Reading Required! This is a mix of contemporary literary fiction and contemporary nonfiction and is a deeper dive into each book than our other book clubs.
Critical Reading is defined as: a way of reading that involves actively analyzing and interpreting a text in a more complex way wherein you question the text and your own understanding of it, which is what we intend to do with each book we read in this club.
Modern dating is dead.
Finding a human connection online has become impossible. Enter Liv: a dating app that matches people with dead bodies. Somehow, it has taken the world by storm. Millions of users are convinced that life with a corpse presents a better alternative to conventional relationships.
Flailing against Liv’s popularity, venture capital superstar Tom Williamson—whose company is funding Liv—isn’t buying it. Mostly because dating an embalmed cadaver, let alone monetizing it, is obscene.
Believing that Liv is the future, Auden White, the insufferable “visionary” behind the app begins demanding more and more funding, quickly making enemies with Tom.
It's no secret that Tom struggles with people, dead or alive, but when he has a chance meeting with the woman who knows Auden (and his secrets) best, Mara Reed, he realizes everything is about to change for all three of them.
With Liv’s userbase growing by the day, the need for cadavers rapidly increases. Humanity might not want to connect with other living, breathing people anymore, but they do want to connect with something. What could go wrong?
Finding a human connection online has become impossible. Enter Liv: a dating app that matches people with dead bodies. Somehow, it has taken the world by storm. Millions of users are convinced that life with a corpse presents a better alternative to conventional relationships.
Flailing against Liv’s popularity, venture capital superstar Tom Williamson—whose company is funding Liv—isn’t buying it. Mostly because dating an embalmed cadaver, let alone monetizing it, is obscene.
Believing that Liv is the future, Auden White, the insufferable “visionary” behind the app begins demanding more and more funding, quickly making enemies with Tom.
It's no secret that Tom struggles with people, dead or alive, but when he has a chance meeting with the woman who knows Auden (and his secrets) best, Mara Reed, he realizes everything is about to change for all three of them.
With Liv’s userbase growing by the day, the need for cadavers rapidly increases. Humanity might not want to connect with other living, breathing people anymore, but they do want to connect with something. What could go wrong?
